Interview: Kirstin Pauka talks taiko, Asian theater, cats, and the artist life

Kirstin Pauka, professor of Asian theater at UH Manoa

I recently had a fun conversation with Kirstin Pauka, professor of Asian theater at University of Hawaii at Manoa. Kirstin and I played together as members of the Kenny Endo Taiko Ensemble during my seven years in Honolulu. Throughout this time we went on concert tours in the US, Europe, and all over Hawaii. As I learned in the interview, Kirstin's entry into the taiko world was early, making her the senpai (most experienced) for all of us who trained under Kenny. There are some interesting taiko stories, but she also talks about her professorship and her recent multi-award-winning project "Battle of the Monkey Kings," a Balinese shadow theater production. I also asked Kirstin about working as a director and how to manage successful interdisciplinary collaborations, and other past projects such as "Randai" and "Taiko Drum and Dance." Check out the links at the bottom for video clips of the shows we discussed.

It was fun hanging out with Kirstin during my recent Hawaii trip, where I got to meet her new cat. Because it was so funny, I couldn't edit out the part of the conversation toward the end about cat shadow theater.

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Battle of the Monkey Kings

Battle of the Monkey Kings

Battle of the Monkey Kings

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Kirstin Pauka is Professor of Asian Theatre at the University of Hawaii at Manoa, USA, full-time faculty in the Asian Theatre Program and Director of the Center for Southeast Asian Studies. Her primary area of specialization is theatre of Southeast Asia. She has done research on Randai theatre of Sumatra, and has published books, multimedia titles, and numerous articles on Randai and related topics. Dr. Pauka has produced and directed several Southeast Asian Theatre productions at UH Kennedy Theatre. In 2001, 2005 and 2011 she directed the US premieres of English language productions of Indonesian Randai theatre which included 6-month intensive artist-in-residence training programs with guest artists from Indonesia. Dr. Pauka has given workshops and lectures in Wellington (New Zealand), Sidney, (Australia), Padang (Indonesia), Amsterdam (Netherlands), St. Petersburg, (Russia), Stockholm (Sweden), Chicago, Seattle, San Francisco, Hawaii (USA), and Toronto (Canada). In Spring 2016 she directed a production of Balinese Wayang Listrik (Shadow Theatre) in collaboration with Balinese artists.

Kirstin Pauka has been studying kumi daiko with Kenny Endo for the past 24 years and has been a performance member of the Kenny Endo Taiko Ensemble for the past 22 years annd has toured with the Ensemble to Europe, Japan, and the US mainland.  Kirstin has received Hawaii State Foundation on Culture and the Arts apprenticeship grants with Endo-sensei in 2007-9 and 2015-16 to study edo bayashi. Kirstin is also a member of the African dance band Jamarek, who just released a new album: Fechal.

Video links
Battle of the Monkey Kings
Randai (2012)
Randai (2006)
Taiko Drum and Dance
 

Interview: Mike Penny talks shamisen, taiko, viral videos, and the Kubo movie

I recently had a fun conversation with Mike Penny, a fantastic shamisen player based in Los Angeles. I was introduced to Mike by our mutual friend and colleague Kyle Abbott of Bachido, and when I started to check out his online lessons, youtube videos, and eclectic array of music, I became more and more intrigued to talk with him. One of the reasons I can relate to Mike’s approach to music is his ability to incorporate a diverse mix of influences, from European classical music to odd-meter Balkan music to Frank Zappa to the traditional style of Tsugaru shamisen. In the interview, we talk about how Mike got into shamisen as well as his involvement with Bachido, playing with taiko players, creating his many viral videos, and the controversy surrounding the new movie Kubo and the Two Strings. He sent me some of his music and I have included them in the recording. The titles in the order you will hear them are: Sou Da Ne, Leavin’ Fo’evah, It’s a Good Day, and Gan Barou.

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About Mike
Mike Penny has received several awards for his innovative performances and compositions using the Tsugaru Shamisen. In 2007, he received the Japan Foundation’s Uchida Fellowship which allowed him to study with one of Tokyo’s most highly respected Tsugaru shamisen instructors, Toyoaki Fukushi. Mike has given hundreds of public performances and continues to perform regularly as both a solo artist and in various ensembles. He has become well known through his many viral video performances on YouTube, and has gained a following for his unprecedented style of shamisen playing which combines traditional and extended techniques in a variety of musical contexts including jazz, Balkan folk, Western classical, and popular music in a fusion of both east and west, past and future. In addition to performing and teaching private shamisen lessons in his hometown of Los Angeles, Mike is also heavily involved with Bachido.com, the online international Tsugaru shamisen community which holds semi-annual international shamisen camps around the world at which Mike participates as an instructor.

With Mike Penny in Hollywood, July 2016

Mike's YouTube channel

Mike's Bandcamp page

Mike Penny Orchestra Facebook page

Bachido

Interview: radio professional Paolo Pietropaolo talks music, taiko, culture, and audio

Paolo Pietropaolo

I recently talked with my friend Paolo Pietropaolo about ethnomusicology, taiko, radio, audio, and cultural immersion. Paolo is a freelance journalist, broadcaster, and composer who hosts radio shows and has produced award-winning documentaries. We met in Vancouver, BC shortly after I relocated there, and immediately I could sense how like-minded we were. Paolo and I have had many interesting conversations over the years and I think his passion and thoughtfulness come through clearly in this recorded interview. Paolo's body of work is impressive in quality and diversity, and I especially appreciate his attention to detail. You can find his radio documentaries at the links below and I would encourage everyone to check them out. Paolo sent me music samples from his tinnitus documentary we talked about so I have included them in the interview. He told me they “consist mostly of recorded electronic hums (ie, my fridge, computer, etc.), processed hums, keyboards, bassoon, and various other electronic musical elements.”

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About Paolo
An inveterate baseball fan as well as a musician and composer, Paolo has spent much of his life trying to explain the intricacies of the arcane to the uninitiated. After one year of undergrad science at the University of Toronto, Paolo gave up on his marine biology dreams in favour of that most secure of career paths: music. Shockingly, this strategy somehow worked when a taiko drumming gig led to a career in radio. Since 2012, Paolo has been the host of In Concert, the award-winning classical music performance program on CBC Radio 2. Paolo is a Peabody-Award-winning audio documentary producer, sound designer and writer/broadcaster passionate about building bridges through storytelling. He is also a two-time winner of the Prix Italia, most recently for The Signature Series, and previously for the documentary series The Wire: the Impact of Electricity on Music.

Links
Twitter: @paolopp
Website: paolopietropaolo.com
Soundcloud: https://soundcloud.com/paolopp
CBC Show: cbcmusic.ca/inconcert
The Wire documentary is archived here: http://bit.ly/1pBEv9l
Kiyoshi Nagata's taiko ensemble: nagatashachu.com

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Interview: Isaku Kageyama talks taiko, music school, and teaching

Isaku Kageyama

Since meeting Isaku several years ago, I've been interested in his unique career path as a professional musician. In this interview, he talks about learning from his first teacher Kenny Endo, becoming a member of Amanojaku, attending Berklee College of Music, music education training at Longy School of Music, teaching at Los Angeles Taiko Institute, and performing with UnitOne (Asano Taiko US taiko ensemble). I have included some music from Isaku's album IK: Yatai, Sanctuary (Featuring Yoshinori Kikuchi), Mr. KE (Featuring Swavek Kowalewski), and Winchester's Groove (Featuring Cari & Winchester Nii Tete).

After we got through my questions, Isaku asked my thoughts about the topic of his upcoming talk for Japan Foundation Los Angeles: asking whether there is such a thing as 'Japanese taiko' and 'American taiko.' Because this was his topic, we decided to post the conversation on Isaku's website. I would encourage everyone to check it out and comment on whether you agree or disagree with either of our opinions. Isaku's website is full of useful information including articles, music samples, and so much more.

Conversation on Isaku's website

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Isaku Kageyama is an eclectic and versatile taiko performer, hand percussionist, and drummer, currently working with groups such as Asano Taiko UnitOne, film-scoring extravaganza The Masterpiece Experience, world music group Rhythm of the Universe, anime band Soulandscape, and the LA Japanese Music Ensemble. His resume includes major corporate events and TV commercials for global brands such as Boeing and Toyota, performances at Carnegie Hall and Lincoln Center, and tours including nations such as Brazil, China, Thailand, United Arab Emirates. Formerly a principal drummer of premiere ensemble Amanojaku, he holds a Bachelor of Music from the Berklee College of Music and a Master of Arts from Longy School of Music of Bard College. He is also a two-time National Odaiko (large drum) Champion, becoming the youngest person to win highest honors at the Mt. Fuji Odaiko Contest in 2000, and Hokkaido in 2003. 

Isaku's website

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Interview: Manman (Yeeman Mui) talks teaching kids, Orff, and taiko

I first met Manman (Yeeman Mui) during Kyosuke Suzuki sensei's Summer Taiko Intensive in 2011. She is now teaching and performing at the Taiko Center of the Pacific in Honolulu, where we performed together during my recent Hawaii trip. A certified Orff instructor, Manman is becoming known as a taiko teacher specializing in young children. In addition to offering classes at Asano Taiko US in Torrance, she is an active performer involved in multiple projects such as Spall Fragments, the upcoming production by Joe Small. Manman kindly spent time with me to talk about her background, Orff training, working with kids, incorporating dance and body percussion, and her current projects. I would encourage everyone to check out the links below for examples of what we talked about in the interview.

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Website
www.yeemanmui.com

TaikOrff
http://taiko.la/event/introduction-taikorff-workshop-taiko-teachers

San Francisco International Orff Course
https://sforff.org

Taiko Trek
http://taikotrek.wix.com/2016#!workshops/ds2sj

Body Bayashi
https://yeemanmui.com/body-bayashi/

Spall Fragments
https://youtu.be/9sftrNNFlEg (2015 video clip)
www.facebook.com/spallfragments/

Yeeman Mui (aka Manman) Originally from Hong Kong, Manman graduated from the University of Hong Kong in 2010 with an MPhil in Musicology. She is a dedicated taiko practitioner, performer and teacher. Since becoming a certified Orff instructor, her vision is to continually find new ways to celebrate the essence of teaching of taiko through the mind, body and spirit. In 2012 and 2013, she was awarded a fellowship to study with Kenny Endo at the Taiko Center of the Pacific (TCP). Since then she has been working as a performing member and teacher at TCP. Outside of TCP and Hong Kong, She has also taught at the Los Angeles Taiko Institute (LATI), curated the Youth Program at the North American Taiko Conference in Las Vegas 2015, and conducted a series of music teacher workshops in Macau 2015. 

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